With Golden Faults, I aim to create a direct dialogue with nature, where the work emerges through a process of co-creation between myself and the material.

I work on wood by embracing its imperfections, fractures, and tensions as essential parts of the process. I do not try to fully control the outcome: I intervene with color and metallic elements, allowing the material to react, transform, and guide my decisions. The “faults” become points of opening—places where something breaks, but at the same time generates new possibilities.

I choose this approach because I am interested in moving beyond the idea of the artist as the sole author. The work develops through a collaboration, where nature is not passive but an active and unpredictable presence.

I invite the viewer to see these points of tension not as flaws, but as moments of transformation. Breaks, interruptions, and unpredictability are part of any process, and can become places where something new emerges.

The work does not seek a perfect form, but a dynamic balance between control and spontaneity, where the material continues to evolve alongside the artistic gesture.