In Silent Landscape 1, my idea was to construct a restrained and suspended landscape, where soft, flowing forms intertwine with the tangible presence of wood. The chromatic surfaces, balanced between neutral tones and deeper fields, unfold horizontally, suggesting an inner geography—perceived rather than depicted.
Golden elements emerge as points of energy and memory, marking the surface with circular traces that evoke knots, natural cycles, and concentrations of time. The wood is not merely a support, but an active component of the composition—a living material that retains and reveals its own history.
The work exists in a delicate balance between abstraction and landscape, silence and presence, inviting slow contemplation where time appears to expand and settle within the material itself.
Silent Landscape 1 (2026)
wood, acrylic
80 × 120 cm